I have been reading speculative fiction for almost 50 years (The Hobbit was my introduction to fantasy). During those years I have been an avid reader, mostly of science fiction and fantasy but also mysteries and romance as the mood struck me. I read the grand masters and grand dames along with newcomers and, more recently, independent authors. Through reading superb fiction, and some less than great books, I have internalized an understanding of what
makes a good story.
When I decided I wanted to edit fiction I sought out professional development from both writing and editing craft books in addition to more formal education. Combined with my years in science honing my critical reading skills, this allows me to identify the how
and why
of a good story.
I bring all of these professional skills and reader acumen to every manuscript I edit. When my reader-sense tells me something is “off” I use my editorial knowledge to determine exactly where the problem lies. I offer suggestions (plural whenever possible) about how to resolve the issue I have identified. But I always leave it to the author to decide which of those suggestions to implement. Sometimes my suggestions stimulate an author to consider other alternatives.
In addition, I have strong language skills, an innate eye for inconsistencies and a scientist’s desire for clarity. I use these to apply the final polish: eliminating wordiness and repetition. If we both do our jobs correctly, your manuscript should only require a proofread or very light copyedit to find the little things that can slip through when adding and deleting materials; things that get missed by those close to a project but that jump out when read with fresh eyes.
Visit my Services
page for more details or my Testimonial
page for what other authors have to say. Editors Canada has a detailed list of the Standards
to which I ascribe.